Weiyu Lin





weiyulinphoto@outlook.com
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Weiyu Lin is a London-based photographer and artist working across photography, constructed imagery, and installation. His practice explores perception, memory, and emotional experience through the relationships between images, objects, and spaces. Drawing on visual meditation and semiotic approaches, he uses photography to examine how ordinary encounters can carry personal and collective meaning, revealing the hidden narratives embedded in everyday environments.

Alongside his independent artistic practice, Weiyu also works professionally in still-life photography as part of [Fei & Lin], a London-based creative duo specialising in still-life imagery and art direction.
CV





Education
2023–2024   
Middlesex University, MA Fine Art, Distinction

2019–2020   
University of Westminster, MA Photography Arts, Distinction

2014–2018   
Huaqiao University, Civil Engineering, Bachelor’s Degree




Selected Exhibitions / 
Awards & Recognition
2026 - Samsara, Group Exhibition, Somers Gallery, London, UK

2026 - WUHAN PHOTOGRAPHY ART CENTRE, Group Exhibition, China

2025 - IDPA Imageless Dummy Photobook Award Retrospective Exhibition, Hong Kong Photobook Festival, Hong Kong, China

2024 - MA Fine Art Degree Show, Group Exhibition, London, UK

2024 - Radical Bodies, Group Exhibition, Filet, London, UK

2022 - Cluster, Group Exhibition, Guiyang Art Museum, China

2021 - Imageless Photobook Award, Selected Entry, China

2020 - Source Magazine Graduate Photography Online, Jury Nomination, UK




Selected Publications / Projects

2026 - Port Magazine / TenTen Issue 14, Chanel, Still-life cover story, London, UK

2026 - Wallpaper* magazine, February Issue cover image, London, UK

2026 - Novembre Global magazine, Issue 18, Milk, Still-life story, Europe

2026 - QP magazine, Issue 110, Still-life story, London, UK

2026 - Financial Times, HTSI, The Find column, Still-life story, London, UK

2026 - Kinfolk, The Clean Issue 59, Still-life story, Copenhagen, Denmark

2026 - Dr. Martens, Icons Still-life commissions, London, UK

2025 - Wallpaper* magazine, December Issue, Contributors feature, London, UK

2025 - GQ Watch Guide, Still-life story, London, UK

2025 - Kinfolk, The Friendship Issue 57, Still-life story, Copenhagen, Denmark

2025 - Schön! Magazine, Issues 47–49, Still-life stories, Germany

2025 - Dr. Martens, Icons Still-life commissions, London, UK





Last Updated 22.06.2024
Projects







Ye Di (叶底): A Grammar of Things - ongoing
Ye Di (叶底), my grandmother’s name, also means the underside of a leaf. This project explores how domestic objects carry intergenerational memory, care, control, and hidden family structures within a Chinese household. Beginning with my parents’ belongings, photographed in situ, the project treats the home as a living archive where placement becomes a form of language. 

Through alignment, repetition, concealment, and display, I examine how intimacy and power are quietly organised through things, inviting viewers to read everyday objects as evidence of emotional and familial order.





Melting - 2024
This work approaches photography as a form of visual meditation and a method of editing time.

An ice cube is first photographed on instant film at a moment of apparent completeness, becoming a small monument to preservation. Using the same large-format camera and lens, I then return to the subject with a digital back. Its smaller frame records only partial views, while repeated exposures trace the ice as it melts.

The tension between the singular completeness of the instant photograph and the repeated partial views of the digital sequence shapes the project. Through layering and reassembly, separate moments are reorganised within a single image. Extending from objects to landscapes, the work asks how photography can witness change and hold memory without claiming to stop time.





Roaming under the Apple Tree - 2020
When I was 24, I saw an apple tree for the first time in my life. I wondered at its difference from my imagination. There, under the tree, I photographed an apple after eating hundreds of them.

Stepping into the gap between images and language, "Roaming under the Apple Tree" presents my exploration of photography. It questions the purpose of capturing daily moments. Alongside this journey of self-challenge, I explore the potential of using photography as a visual meditation method.






10 minutes daily focusing on breath with a modified scanner to gain peace, 28 October-24 November, 2019
Using a modified scanner, I created a 10-minute space for Fei and me to practice breath meditation. As each of us breathed in and out, we turned the light on and off. In this way, our breath was recorded into images from left to right by the scanner.
After two months of the experiment, we both failed in this attempt to find peace.